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The last time Maya Rudolph headlined a TV show—the surreal, bittersweet, underrated Forever—its premise was kept tightly under wraps. Four years later, we can dispense with the spoiler warnings: Forever starred Rudolph and Fred Armisen as a married couple whose stale routine persists into the afterlife. In 2018, the SNL actors alone were relied on to sell the series in the absence of any indications of what Forever would be like or about.
But in 2022, the nature of Rudolph’s new project isn’t just public knowledge; the idea is so compelling it practically commands us to pay attention. Loot has the kind of concept that makes you sit up a bit straighter in your seat: Rudolph, reunited with Forever cocreators Matt Hubbard (30 Rock) and Alan Yang (Master of None), stars as Molly Novak, the longtime spouse of a tech magnate whose divorce leaves her in control of an $87 billion fortune. Lonely and bored, Molly starts meddling in the charitable foundation she didn’t even know was set up in her name, reinventing herself as a philanthropist in the vein of MacKenzie Scott, Melinda Gates, or—ironically, given Loot’s home on Apple TV+—Laurene Powell Jobs. Click!
Over 10 episodes, however, Loot fails to build on its rock-solid foundation. Much like Molly herself, the show doesn’t seem to fully appreciate the wealth of material at its disposal. But while its heroine happened upon her riches, slowly getting used to them like a frog in luxury spa water, Loot built its own sandbox from the ground up. All the more puzzling, then, when the show refuses to play in it.
Inside of Loot,there are several different series that struggle for supremacy, though none emerge as a fully realized vision. One is a sharp satire about the corrosive effects of extreme wealth, which has warped Molly’s perspective and alienated her from her new colleagues, let alone the people they’re trying to help. But Loot takes a too-soft stance on Molly’s fortune, failing to articulate its implications or even its origins. “His shirt was as ugly as his business policies,” scoffs a foundation employee after Molly’s ex-husband John (Adam Scott) gives a televised interview. What business policies, though? And what does it say about Molly that those policies made her obscenely rich? John’s apparent inspirations stand accused of everything from consorting with criminals to immiserating their workers, so there’s plenty to choose from; Loot just declines to do it.
Compare this vague approach to Made for Love, another show about a woman’s abrupt split from an oligarch. The screwy, recently-canceled sci-fi romp created an indelible villain in Byron Gogol, a man whose personal failings are closely linked to his professional success. Byron’s company makes the kind of technology that creates convenience at the expense of privacy and individual expression; he then turns that philosophy on his wife, who he imprisons in a sealed-off fortress and surveils by implanting a chip in her brain. The result works as both…
https://www.theringer.com/tv/2022/6/24/23181693/loot-apple-tv-plus-review-maya-rudolph
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Kate Bush has opened up about a new generation of fans finding her music through Stranger Things. In a rare interview with the BBC’s Woman’s Hour, Bush talked about how “Running Up That Hill” has hit number one in the U.K. charts and cracked the Top 10 in the U.S. after it was featured on Season Four of the Netflix show.
Bush told host Emma Barnett: “Well it’s just extraordinary. I mean, you know, it’s such a great series, I thought that the track would get some attention. But I just never imagined that it would be anything like this. It’s so exciting. But it’s quite shocking really, isn’t it? I mean, the whole world’s gone mad.”
She added: “What’s really wonderful I think is this is a whole new audience who, in a lot of cases, they’ve never heard of me and I love that. The thought of all these really young people hearing the song for the first time and discovering it is, well, I think it’s very special.”
The interview comes after Bush issued a series of statements following the renewed success of the song.
Bush also discussed the meaning of the song and how it has been reinterpreted by the show: “I really like people to hear a song and take from it what they want. But originally it was written as the idea of a man and a woman swapping with each other. Just to feel what it was like, from the other side.”
She also revealed that the show led her to listen to ‘Running Up That Hill’ for the first time in a long while: “I never listen to my old stuff. But then you know, when things like this come along, I’m normally involved in something like you know, maybe doing an edit or revisiting the track for some kind of other reason, I’m working on it. So yeah, I hadn’t heard it for a really long time.”
Bush, noting she’s been a longtime fan of Stranger Things, praised the show’s creators, the Duffer Brothers, for how they utilized “Running Up That Hill”: “I think they’ve put it in a really special place,” she said. “I mean, the Duffer Brothers created the series and, actually, we watched it from the first season onwards, so I was already familiar with the series. And I thought what a lovely way for the song to be used in such a positive way — you know, as a kind of Talisman, almost, for Max. And yeah, I think it’s very touching, actually.”
Elsewhere in the interview, Bush was asked if she was aware of other online niches in which her music plays a pivotal role, such as “WitchTok,” a TikTok subculture that’s particularly fond of Bush’s song “Babooshka” and her aesthetic in the music video. Laughing, Bush replied, “No I don’t. It sounds ridiculous.”
https://www.rollingstone.com/music/music-news/kate-bush-running-up-that-hill-stranger-things-interview-1372260/
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Cooper Raiff, the writer, director and star of Apple TV+’s new romantic dramedy “Cha Cha Real Smooth,” sat down with FOX Television Stations to chat about loving his characters, “ghost director” Dakota Johnson and more.
CHICAGO – Timing is everything. It’s a sentiment 25-year-old writer/actor/director Cooper Raiff knows all too well. His debut feature “S#!%house” switched to a virtual premiere in the early weeks of the pandemic. (“The whole experience was in my pajamas,” Raiff told FOX Television Stations of the film’s release, which won Grand Jury Prize for Best Narrative Feature at the 2020 South by Southwest Film Festival). Then his sophomore feature, “Cha Cha Real Smooth,” had to swap its planned in-person premiere for a virtual one too, as the 2022 Sundance Film Festival adjusted for the Omicron variant. Still, considering they’re both earnest romantic dramedies about timing, chance and the ineffable magic of connection, maybe there’s something thematically fitting about their winding path to success.
Indeed, as in the best coming-of-age romances, everything seems to have worked out in the end. “Cha Cha Real Smooth” received glowing reviews at Sundance, won the Audience Award in the U.S. Dramatic category and was quickly scooped up by Apple TV+ for an impressive $15 million. Now it’s set to hit the streaming service — as well as select theaters — on June 17.
Finally seeing the film with an audience has been “so special,” Raiff told FOX Television Stations after a screening at the Chicago Critics Film Festival in May. “It’s the reason why you make movies,” Raiff explained. “To see them with people.”
Raiff stars in “Cha Cha Real Smooth” as Andrew, a 22-year-old recent college grad struggling to figure out what he wants to do with his life. He moves back home with his mom (Leslie Mann) and stepdad (Brad Garrett) and quickly falls into a makeshift job as a “party starter” at the bar and bat mitzvahs his kid brother David (Evan Assante) attends nearly every weekend. That’s where Andrew meets Domino (Dakota Johnson), a beguiling young mom with a thoughtful, autistic daughter named Lola (Vanessa Burghardt). Though Domino isn’t exactly on the market, sparks soon begin to fly between her and Andrew anyway. And “Cha Cha Real Smooth” tells a gorgeously sensitive, sneakily complex story about growing up at every stage of life.
Cooper Raiff and Dakota Johnson in “Cha Cha Real Smooth,” premiering June 17, 2022 on Apple TV+.
“Domino was the first thing that I started with,” Raiff explained of crafting the script. “The first nugget of the movie. [She’s] this mother of a disabled kid whose life has been defined by her kid’s stages — and will be forever. And it was very interesting to me to have her meet someone who was at a stage in life that she did not get to have. And for [Andrew] to give her some life and some moments of…
https://www.fox10phoenix.com/news/cooper-raiff-on-his-new-appletv-indie-rom-com-cha-cha-real-smooth
AppleTV 4 Jailbreak (appletv4jailbreak.com)
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